![]() This reinforces Shchedrinʼs brilliant score, a modern masterwork that almost precludes the need for clear dialogue and titles. Boris Kudličkaʼs ingenious set shows the action unfolding in several places simultaneously, and with an almost constant barrage of video projections, the overall visual effect is unsettling – confusing at times, but imbued with a sense of dread and unpredictability. Even the chorus that appears on stage periodically as Humbertʼs judges seems swallowed by the void. The stage is perpetually dark, giving the few points of light – living room lamps, car headlights, traffic signals, a motel sign – unusual impact and ominous connotations. ![]() ![]() In the atmosphere that Daubnerová creates, anything seems possible. ![]()
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